跳至主要内容

Introduction of 《Primitive Bond Art Festival》。



Borneo has always been well-known for her distinctive culture and art, biodiversed wildlife and flora and fauna, due to her strategic geographical location, historical identity, luxurious rainforest habitats and indigenous groups living in the province. Borneo is the third largest Island in the world, covers an area of 743,330 square kilometers, with the population of nearly 18million people, where Sabah and Sarawak contributed 35% of the population, equivalent to 6million people.

With such a huge population, rich ethnic color and beautiful natural resources, we never lack of physical wealth, as well as spiritual contentment. We are cultural rich and we leave in a country full of poetry and astonishing surprises. What separate us from many other places are the harmonious between ethnic and the integration of customs, that will eventually develop into a unique civilization. The successful of Sarawak’s yearly activity ‘Rainforest Festival’ has proven that Borneo has everything it takes to become the International cultural focus. Whether or not we neglect the fact that Borneo has her own potential to absorb every cultural cliché and being filtered into our life, the ‘culture’ of Borneo plays an important role in our daily life, language, activities or habits.

Many scholars have realized that we can actually enhance our culture to something more magnificent and present them to a higher platform. Way back in 1990s, some of the senior antecessors whom have succeeded in their individual fields, came out with the ideology called ‘the Borneo Culture’. ‘The Borneo Culture’ here carries a totally different vision, where the main purpose is to cultivate the art performance, either through literature, dance, photography, handicraft or music, to repackaging our culture by using a modernized method. All performance methods are classified as a ‘tool’ to exhibit or enhance the artistic level of primitive culture, which the core value of natives’ characteristics would be suffered from minimal disturbance.

As a result, as one of member of Borneo people, we feel our responsibilities and obligation to become part of this historical torrent, not from the view of the audience, but within the stream of transformation. We present you the ‘Primitive Bond Art Festival’,where the focus is no more on cultural exchanged, but emphasizes more on local talent, and the manner of integrating primal culture with modern art performance. The development of local culture and civilization are closely related, without the emergence of inner wisdom, the cultural growth can only be distorted. While nurturing our local culture, we believe in vitality and endless creativity in the youth of whom are perfectly capable in opening up new fringe tradition thus creating new trend. Fringe tradition is not anti-tradition, but a means to explore new possibilities to transforming existing traditional culture to a new yet unique cultural characteristic, to what we call ‘the Borneo Culture’.

‘Primitive Bond Art Festival’ is a mindset revolution for the community, especially amongst youngsters, which involves the paradigm shift of our own tradition. 

We have been asking ourselves, does all the performing art, which always being misunderstood as contradict with traditional culture, has local identity (localization)? Since our cultural individuality needs to be differ from global identity (globalization), obviously we understand the importance of localization, because it is one of the measures for national characteristic. Our culture represents who we are. Rich cultural characteristic records the role status and value of a nation (state, province or tribes), when presenting in the international stage, our origins and traits are quickly understood. On the other hand, culture is also the precipitation of wisdom in the flow of time. The so called local culture is like a kind of gears in history, stacking into what it is now, lifestyle. Within which, of course, includes chance.

Innovation of cultural characteristic is equally important as the preservation of it.

At the age of globalization, the formation of direction and idealism for culture shouldn’t be limited. The new trend created by the mindset of innovative youth, may one day intermingle with our historical heritage and stimulating an unexpected chemistry and hence developing a brand new trend in line with the pace of globalization.

‘Primitive Bond Art Festival’ intends to open up a brand new vision to the youth, creating new opportunities, markets and possibilities. 21st century is the most important phase in the history of mankind, where information flows and grows rapidly at the exponential rate. Technology advancement has made the impossible possible for matters, and getting to learn new knowledge has never been easier. Undeniably, human nature has evolved to be more independent as the world become more and more challenging. People anticipate but not participate, many have forgotten the means of tradition, let alone preserving one.

‘Primitive Bond Art Festival’ brings the core value of tradition and performing art to the society, within the society, and nurtures the values of our future generation.

‘Primitive’carries a meaning of “not derived from something else; primary or basic”, while ‘bond’ means the uniting force that links different things. Art exists in our daily life and culture is what we live in everyday. All the while people have misconception about what art is really about. ‘Primitive Bond Art Festival’ is a concept not only limited to audience, but to allow public participate in the art performance. Art Performance is being introduce to the street, or any public place, where the audience become part of the performance, either they volunteer themselves to join the performance, or solely stay as the audience, they will undergo totally different experience.

The first contemporary dance Theatre, Synergy Dance Studio , will be the frontier for this glamorous event.

‘Primitive Bond Art Festival’ consists of dance performance, contemporary music, workshop, photography installation, theater performance, short films, etc. The art festival will introduce a brand new concept called experimental street art performance to the people of Borneo, which integrating art performance from different fields, composite into irregular ever-changing circumstances. Performer will either play a role as performer at a particular place, or within the audience at a random yet organized spot. Vice versa, audience can be part of the performers, or they are the element in the art performance. In short, the project itself is a piece of art, where technically everyone involved is a small piece of the puzzle to complete the masterpiece.

评论

此博客中的热门博文

无法预知未来。

看见你五官标准四肢健全,就是父亲最大的欣慰。  从来没有想过生命的形成是如此美妙,那种喜悦是尖锐的,敏感的,内敛的,野马脱缰一般从身体每一个细胞奔腾倾泻,却始终无法以自身的面部表情显露出来。给一个蹩脚的缘由,可以说自己内向,可是真正的原因,或许只是我无法用有限的脸部表情来表达自己对新生命的惊叹和赞美。  或许只是自己不善言辞。  我无法预知未来。  将来你会以怎么样的一个形式和心情来看待这一系列的文字呢?无论你想要平平庸庸过着平淡的生活,还努力不懈地追求一些某种属于你生命中最重要的东西,我都希望这些写给未来的文字会带给你一点点启发。  孩子。未来是无法预知的,电影“Interstellar”提到只有爱和地心引力能够超越时空的界限,果真如此,所有情感包括憎恨思念忧愁自卑焦虑也可以穿越时空回到从前吧。地心引力本身是特别的,我们人类所知的物理知识里只有地心引力不受时空的操控,以超越光速的状况存在,每一个质量的密度,都有扭曲时空的能力,当物质密度庞大到一个程度,我们在三维时空内所感受到时空扭曲后的副产品就是牛顿发现的万有引力。我理性的一面让我不能相信感情能够扭曲时空,就像我不相信上帝的存在,无论我在精神层面上对艺术或宗教有着异常的领悟和认知,却不能苟同那些似是而非的科学理论。  我无法预知未来,现在用一个手掌心便可以举起的你,往后会如何看待自己的周遭?我决定不去干涉你的信仰你的性向你的自由你的未来,那些都是人生很重要很重要的决定,世界充满了太多太多悖论和偏见,当对错黑白越来越模糊,当科技越来越发达,当得到新知识的管道越来越容易,当左翼分子和右派分子的分歧越来越激烈,当感性越来越自私理性越来越自我,唯一能够让自己尽量维持清醒的方法只有独立思考的能力。我们这一代比较简单,想要在出类拔萃,就不能趋炎附势,学会自己判断真假得出结论。身为父亲的我,就是因为无法坚持岗位,只能平平庸庸的过了半辈子。无所谓好或不好,快不快乐,而是取决于自己人生的目标和定位。下一代,你们这一代,世界会怎么改变,让我用几十年的生命历练大胆揣测,大概也相差不远。你们会面对更艰巨的挑战,社会会更竞争,真要脱颖而出,就得拥有自己的特点,不是说标新立异,而是让自己更个人化,用自由的思想塑造独特的个性和品位。  为了生活,无...

继续烦恼。。。

要换一台电脑?还是。。。 这个? 这个? 这个? 不然就这个? 或者这个也不错,:P 鱼与熊掌,所以,继续烦恼。。。

一厢情愿的浪漫。

政治宗教和种族课题,永远只是一厢情愿的浪漫。每个人都站在自己的立场上看世界,以自己认为最正确的角度看别人的错误,看不见被自己抛诸脑后的理性思想。 我也一样。 我一直认为马来西亚的问题不在于种族,而是源自于宗教。无论你的祖籍是谁,也不管你的户籍在哪里说什么语言名字是舍,只要身份证上注明是回教徒,你就可以享有任何一种国家供给的种种特别权益。  温和派回教徒本质上是顺服善良的。相信世界美好,相信和睦共处,相信公正信义,相信阿拉是和平的象征。有别于激进派回教徒以恐怖手段来恐吓征服世界,温和派回教徒更乐于安居乐业,用一种近乎避世的生活方式活着。马来西亚的回教徒大多属于温和派,极端分子很少,也是世界少有回教国几乎没有极端回教分子的的国家。 宗教在任何地方都是棘手且敏感的问题,尤其回教。可兰经说回教徒是世上最优越的的群众,没有得到启示的非回教徒(Kafir)是污秽次等的人。和世上许多宗教一样,回教徒一心一意为了拯救世俗,甚至牺牲自己的性命亦无不可。神圣的使命,加上从小便灌输在脑海里的优越感,穆斯林成为了世界最善良最坚韧也最敏感的一群人。这些宗教意识,根深蒂固地埋在每一位穆斯林的心坎深处,包括所有马来人。  与中国华人不同,华人的优越感是一种自我保护的伪装,五千年文化反反复复被侵略被欺压被封锁的思想,造成了无法衡量的自卑感,为了削弱这种负面的情绪,华人骨子里的韧性,不甘被命运践踏的本质,成为了生存的唯一武器,一旦得势,一旦强大,优越感就无限量膨胀,成为了维护自卑的保护膜。 其实我应该说宗教本身不是问题,而是对宗教的诠释。同样一本可兰经,不同派别的人可以有南辕北辙的理解方式。  真的,我相信纳吉自认为是虔诚的回教徒,就像那些将炸弹挂在身上自杀袭击的虔诚回教徒一样,他们相信他们所理解的可兰经是对的。他们看不见大众的思想,看不见自己扭曲的心灵,他们认为他们是阿拉钦点的使徒,执行最神圣的任务。每个人对好坏对错都有自己的见解,当自己的‘对’得到上天的首肯,加上世人皆醉我独醒的优越感作祟,世上没有任何一种力量可以改变这种想法。战争,往往是因为正面的思想,因为‘对’,因为比自己生命更大的使命,才掀起的。纳吉也许认为,根据他所理解的可兰经,从非穆斯林手中夺取财富,分给投靠在身边的穆斯林是上天给予他首相职位最重要最神圣的使命。他不可能认为自己有错...